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Photo: "Butterfly in Lozère, France" by Guilhem Duvot

A Collection of Our Interviews

Digital Art

In the contemporary dialogue between the natural world and digital intervention, London-based 3D Artist and Designer Dan Hoopert occupies a compelling space. With a high-profile client roster including Apple, Google, Meta, Nike, and Adidas, Hoopert translates elements of nature into surreal, immersive experiences that challenge perceptual boundaries. His practice is characterized by a sophisticated command of 3D software and a keen eye for realism, employed not merely for replication but to evoke a sense of phenomena – blurring the lines between the tangible environment and its abstract, digital counterpart through intricately crafted visuals and sound…

Science

Crystals, traditionally seen as symbols of rigidity and brittleness, are now revealing a remarkable hidden characteristic: the ability to heal themselves. Leading this breakthrough is Dr. Panče Naumov and his research team at New York University and New York University Abu Dhabi. Since the mid-2010s, they have been transforming the field of materials science by uncovering and explaining the self-repairing behavior of molecular crystals. Their work offers profound insights into the internal dynamics of solid materials and paves the way for a new generation of durable, sustainable, and adaptable technologies. This groundbreaking research was featured in a detailed article published in Nature Reviews Chemistry on April 14, 2025, marking a major advance in the study of responsive materials.

A Conceptual Leap: Crystals as Soft Matter

The renewed interest in self-healing molecular crystals, which began to gain momentum around 2016, was driven by a pivotal shift in thinking. ″Around 2015, we realized that organic crystals could be classified as soft materials, similar to plastics and rubber, but with the added feature of structural order, which makes them quite unique,″…

The image depicts a glowing blue hexagonal crystal structure with one side perfectly intact and the other side fracturing yet seemingly self-healing. This visualization represents Dr. Panče Naumov and his NYU Abu Dhabi research team's groundbreaking discovery of self-healing crystals—challenging traditional views of crystals as merely rigid and brittle materials. Small light particles emanate from the healing zones, illustrating this remarkable scientific breakthrough.
The image depicts a glowing blue hexagonal crystal structure with one side perfectly intact and the other side fracturing yet seemingly self-healing. This visualization represents Dr. Panče Naumov and his NYU Abu Dhabi research team's groundbreaking discovery of self-healing crystals—challenging traditional views of crystals as merely rigid and brittle materials. Small light particles emanate from the healing zones, illustrating this remarkable scientific breakthrough. Image created by www.ournarratives.net

Ceramics

Hungarian artist Zsolt József Simon creates ceramic sculptures that capture living motion within static form. His works are not merely motionless objects but″border beings″ caught in transformation, inviting viewers to connect their still present with dynamic origins. Simon achieves remarkable technical mastery through impossibly thin yet structurally sound ceramic walls, balancing geometric precision with organic forms that evoke flowers, sea creatures, and geological formations.

The sculptures exist at the intersection of resemblance and abstraction, recalling structures from plant and animal kingdoms while evoking microscopic diatoms. A compelling tension characterizes his pieces: dense, ornate exteriors resembling protective nests transition into softly receding interiors filled with mysterious darkness. Simon employs an ″imaginary axis″ concept to harmonize opposing forces: inward liquid flow against outward radiant sharpness, while…

Sleeping Beauty Series, 2023, 37x31x28 cm, unglazed, porcelain, fired at 1280°C by Zsolt József Simon, Ceramicist, Hungary
Sleeping Beauty Series, 2023, 37x31x28 cm, unglazed, porcelain, fired at 1280°C, Image credit: Szilvia Simon-Nagy

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